There are many ways to market yourself as a voiceover performer in the digital age. There are many other channels, including advertisements, video games, audiobooks, online courses, and podcasts. The secret to effective voiceover work is high-quality audio recording. We’re going to go over some advice in this article on how to record voice overs with better sound quality and how to perform better overall.
Table of Contents
1 – Choose a Good Quality Microphone:
You must pick the best microphone if you want to produce audio of good quality. Voiceover recording is best done with condenser and dynamic microphones.
- When used in a professional or home studio that has been properly treated for acoustics and soundproofing, condenser microphones are excellent for voice over work. They are extremely sensitive and will record every mouth click and ambient noise. Condenser microphones must be handled carefully since, over time, saliva or humidity in the recording environment may cause a decline in the recording quality. In this instance, adding a pop-filter to the microphone will take care of the issue. Condenser microphones, in contrast to dynamic microphones, need an additional power source known as phantom power. Condenser microphone phantom power is typically incorporated into mixing panels and external audio interfaces.
- Tonor USB microphone Q9 is powered by a USB connector and includes an integrated sound card. This the best ps4 mic and best microphone for singing. It is a wonderful option for individuals looking for a microphone that is both economical and simple to set up.
2 – Choose Suitable Place for Microphone:
Another crucial element for voiceover work is the positioning of the microphone. The microphone will pick up extra room sound and unpleasant background noise if it is positioned too far away from the performer. You can also use the microphone stand for placing the microphone in the right position. When P, T, and B letter sounds are generated, plosive sounds will be captured if the microphone is too close to the performer. It should be between 6 and 12 inches between the performer and the microphone. To reduce “plosives,” position the microphone slightly off-axis and slightly above, below, or to the side of the performer’s mouth, depending on the type of microphone being used. To help lessen the “plosives,” a pop-filter can be used in conjunction with microphones.
3 – Try Pop Filter:
As we’ve already mentioned, a pop-filter not only stops saliva from entering the microphone but also gets rid of unwanted “plosives.” Pop filters are made of a mesh that is placed over a plastic frame and clamped over the microphone diaphragm. You can invest in this recording tool to assist you produce high-caliber performances at a reasonable price. A windscreen is ideal for outside recording since it offers low high frequency loss and helps to block out wind noise, but a pop-filter is more desirable in a studio scenario.
4 – Control Microphone Level:
If the microphone’s input level is set too high, “clipping” will happen because the signal will be too strong for the hardware or software used for recording. Every time a recording is clipped, distortion occurs that is too loud for the hardware and software to handle.
As you execute the voiceover, speak into the microphone to set the appropriate level while keeping an eye on the audio interface’s meter level indicators. Achieve a desired level by adjusting the microphone gain/level control until the microphone input does not go beyond the clipping limit.
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